Judith : a new translation with introduction and commentary
著者
書誌事項
Judith : a new translation with introduction and commentary
(The Anchor Yale Bible, v. 40)
Yale University Press, 2011, c1985
- : pbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
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注記
"First published in 1985 by Doubleday"--T.p. verso
Some copies have no publication year
Includes bibliography (p. [109]-117) and indexes
内容説明・目次
内容説明
Judith is Volume 40 in the acclaimed anchor Bible series of new book-by-book translations of the Old and New Testaments and Apocrypha. In the Apocrypha, Judith is the saint who murdered for her people. She offered herself to Holofernes, the Assyrian general sent by Nebuchadnezzar to destroy the Israelites. After she had charmed Holofernes with flattery and drink, Judith chopped of his head while he lay in a drunken stupor, thereby leaving his troops "headless" and in a state of total panic and confusion. Her victory was celebrated in song and brought peace to her land for years to come.
In his illuminating new translation and commentary, Carey A. Moore considers the historicity of the story and explores the author's true intent: Was it to describe actual events or to compose a fictitious story of other purposes? Was his concern more historical or theological?
The story of Judith abounds in ironies. There is Judith, the beautiful woman who lived a stark, celibate existence after her husband's death had left her a wealthy widow. Born into a sexist society with rigidly defined roles, Judith better "played the man" than did any of her male compatriots. There is Holofernes, the Assyrian conqueror, unable to defeat a small Israelite village after dozens of countries had fallen under his sword. Intent on seducing Judith, Holofernes instead lost his head to her. Perhaps the ultimate irony of all is the story of Judith itself: the timeless tale of a deeply religious woman who became revered not for her poverty but for an act of murder.
Dr. Moore's study of the canonicity of Judith brings perspective to the story's varied acceptance among both Jews and Christians. It also notes the similarity between this work and the equally popular story of Esther; each woman, through different means, served her people through acts of bravery.
The photographs and maps illustrating Judith include depictions of the story of Judith by such masters as Machiavelli, Botticelli, Caravaggio, and Donatello.
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