So much wasted : hunger, performance, and the morbidity of resistance
著者
書誌事項
So much wasted : hunger, performance, and the morbidity of resistance
(Perverse modernities)
Duke University Press, 2010
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注記
Includes bibliographical references (p. [173]-184) and index
内容説明・目次
内容説明
In So Much Wasted, Patrick Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison. Homing in on those who starve themselves for various reasons and the cultural and political contexts in which they do so, he examines the diagnostic history of anorexia nervosa, fasts staged by artists including Ana Mendieta and Marina Abramovic, and a hunger strike initiated by Turkish prisoners. Anderson explores what it means for the clinic, the gallery, and the prison when one performs a refusal to consume as a strategy of negation or resistance, and the ways that self-starvation, as a project of refusal aimed, however unconsciously, toward death, produces violence, suffering, disappearance, and loss differently from other practices. Drawing on the work of Martin Heidegger, Sigmund Freud, Giorgio Agamben, Peggy Phelan, and others, he considers how the subject of self-starvation is refigured in relation to larger institutional and ideological drives, including those of the state. The ontological significance of performance as disappearance constitutes what Anderson calls the "politics of morbidity," the embodied, interventional embrace of mortality and disappearance not as destructive, but rather as radically productive stagings of subject formations in which subjectivity and objecthood, presence and absence, and life and death are intertwined.
目次
Acknowledgments ix
Introduction: Hunger in the Event of Subjectivity 1
1. The Archive of Anorexia 30
2. Enduring Performance 57
3. How to Stage Self-Consumption 85
4. To Lie Down to Death for Days 110
Afterword: The Ends of Hunger 138
Notes 153
References 173
Index 185
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