Diego Velázquez's early paintings and the culture of seventeenth-century Seville
著者
書誌事項
Diego Velázquez's early paintings and the culture of seventeenth-century Seville
Pennsylvania State University Press, c2012
- : cloth
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [203]-224) and index
Summary by publisher: Explores the early works of seventeenth-century Spanish painter Diego Velázquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville
内容説明・目次
内容説明
Diego Velazquez spent his formative years at the center of artistic life in seventeenth-century Seville, a gateway to the New World characterized by intellectual debate, religious fervor, and mounting ethnic tensions. Yet critics have often divorced the painter's novel style and subject matter from the city's unique pictorial and cultural traditions. In Diego Velazquez's Early Paintings and the Culture of Seventeenth-Century Seville, Tanya J. Tiffany demonstrates that Velazquez's works not only engaged Seville's social practices but also raised issues of vital importance to seventeenth-century Sevillians. As a young artist, Velazquez contended with such essential questions as women's place in society, the nature of artistic creativity, the role of religion in everyday life, and the incorporation of racial minorities into Christianity. This study offers close readings of individual paintings with regard to their historical framework, critical context, and early reception. Through this approach, Tiffany illuminates well-known masterpieces and also highlights the fluid boundaries between high art and popular forms of visual expression.
目次
Contents
List of Illustrations
Acknowledgments
Introduction: Velazquez in Pacheco's "Gilded Cage"
1 Devotion and Desire: The Immaculate Conception and Saint John
2 Portraiture and the "Virile Woman": Madre Jeronima de la Fuente
3 A Bodegon and a Collector: The Waterseller of Seville
4 African Slaves and Christian Salvation: The Supper at Emmaus
5 The Lure of the Court
Notes
Selected Bibliography
Index
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