The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
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Bibliographic Information
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
Thames & Hudson, 2013
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Note
Includes notes (p. [216]-230), bibliographical essays (p. [231]-257) & index
Description and Table of Contents
Description
The Books That Shaped Art History reassesses the impact of some of the most important texts of art history published during the twentieth century. Each of the sixteen incisive chapters focuses on a single title and is written by a leading art historian, curator or one of the promising scholars of today's generation. In bringing these cross-generational contributions together, this book provides a varied and invaluable overview of the history of art, told through its seminal texts. The sixteen books include Nikolaus Pevsner's gospel of Modernism, Pioneers of the Modern Movement, Alfred Barr's now legendary monograph on Matisse, E.H. Gombrich's Art and Illusion, Clement Greenberg's Art and Culture, which had a seismic impact when it was published in 1961 and Rosalind Krauss's The Originality of the Avant-Garde and Other Modernist Myths, which introduced structuralist and post-structuralist philosophy into art historical study. Initiated by and and prepared under the auspices of The Burlington Magazine, each chapter - with writers including John Elderfield, Richard Verdi and Susie Nash - analyses a single major book, mapping the intellectual development of its author, setting out the premises and argument of the book, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy. An introduction by John-Paul Stonard explores how art history has been forged by these outstanding contributions to scholarship, as well as by the dialogues and ruptures between them. The book is supplemented by contextual essays summarising the achievements of each art historian and offering a detailed publication history of their texts, with suggestions for further reading. Enlivening debates and questioning the very status of art history itself, The Books That Shaped Art History is a concise and brilliant overview of the discipline and an invaluable resource for students, teachers, bibliophiles and all those interested in visual culture and its histories.
Table of Contents
Preface * Introduction * `Emile Male, L'art religieux du XIIIe siecle en France, 1898' by Alexandra Gajewski * `Bernard Berenson, The Drawings of the Florentine Painters, 1903' by Carmen C. Bambach * `Heinrich Woelfflin, Kunstgeschichtliche Grundbegriffe, 1915' by David Summers * `Roger Fry, Cezanne: A Study of His Development, 1927' by Richard Verdi * `Nikolaus Pevsner, Pioneers of the Modern Movement, 1936' by Colin Amery * `Alfred H. Barr, Jr., Matisse: His Art and His Public, 1951' by John Elderfield * `Erwin Panofsky, Early Netherlandish Painting: Its Origins and Character, 1953' by Susie Nash * `Kenneth Clark, The Nude: A Study of Ideal Art, 1956' by John-Paul Stonard * `E. H. Gombrich, Art and Illusion, 1960' by Christopher S. Wood * `Clement Greenberg, Art and Culture, 1961' by Boris Groys * `Francis Haskell, A Study in the Relations between Italian Art and Society in the Age of the Baroque, 1963' by Louise Rice * `Michael Baxandall, Painting and Experience in Fifteenth-Century Italy, 1972' by Paul Hills * `T. J. Clark, Image of the People: Gustave Courbet and the 1848 Revolution, 1973' by Alastair Wright * `Svetlana Alpers, The Art of Describing: Dutch Art in the Seventeenth Century, 1983' by Mariet Westermann * `Rosalind Krauss, The Originality of the Avant-Garde and Other Modernist Myths, 1985' by Anna Lovatt * `Hans Belting, Bild und Kult, 1990' by Jeffrey Hamburger * Notes * Bibliographical essays * Author Biographies
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