Nineteenth-century photographs and architecture : documenting history, charting progress, and exploring the world
著者
書誌事項
Nineteenth-century photographs and architecture : documenting history, charting progress, and exploring the world
Ashgate, 2013
- タイトル別名
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Nineteenth-century photographs and architecture
19th century photographs and architecture : documenting history, charting progress, and exploring the world
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with an interest in the fields of art history, urban geography, history of travel and tourism. Nineteenth-century photographers captured what could be seen and what they wanted to be seen. Their images informed of exploration, progress, heritage, and destruction. Architecture was a staple subject for the first generation of photographers as it patiently tolerated the long exposures of the early processes. During its formative decades photography responded to evolutionary cultural forces of market and artistic production. Photographs of architecture reflected a specific political or social context modulated through individual points of view. For this reason, the examination of each photographic image as a primary visual document and an aesthetic object rather than a technical milestone on a chronological trajectory affords a richer multi-faceted approach to the extensive and complex corpus of photographs taken by photographers all over the world. This project acknowledges the importance of technique in the early decades of photography but focuses on the thematic content of the material. It places the photography of architecture in an international context under the contemporary critical lens sharpened by theoretical and cultural examinations of the topic.
目次
- Contents: Introduction, Micheline Nilsen
- Part 1 Photography and the Discipline of Architecture History: Expanding Vision: The isolating still focus: photography and aesthetic perception in Jacob Burckhardt's writings, Anne Hultzsch
- 'Worthy of being thus preserved': American daguerreotype views and the preservation of the past, 1840-1860, Whitney A. Martinko
- History in albumen, carbon and photogravure: Thomas Annan's Old Glasgow, Robert Evans
- Intersecting routes of architectural travel, photography and survey books in the 19th century, Sibel Acar
- Aerial views and panoramas: photographing the 19th-century universal expositions, John W. Stamper
- The Studio Collard and the barricades of 1871: a challenge not only to the architecture of Paris, Michaela Giebelhausen
- Blurred observations: the late 19th-century grand tour of Captain J. Douglass Kennedy, Eamonn Canniffe
- Construction photography in the service of international public relations: the French connections, Claude Baillargeon
- The elusive challenge of photographing urban spaces: 19th-century Berlin as exemplar, Douglas Klahr. Part 2 Exploring the World: Francis Bedford - architecture as nation, Stephanie Spencer
- The antiquarian gaze: colonialism, architecture and the imaginative geographies of ruins in 19th-century Irish photography, Justin Carville
- Spanish architecture seen by foreign photographers of the 19th century, Helena Perez Gallardo
- Romanian architecture and cityscape: the legacy of 19th-century photographers, Adrian-Silvan Ionescu
- Romanticizing the uncanny: Ernst Ohlmer's 1873 photographs of the European-style palaces in the Yuanmingyuan, Maureen Warren
- Select bibliography
- Index.
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