The politics of art in modern Egypt : aesthetics, ideology and nation-building
著者
書誌事項
The politics of art in modern Egypt : aesthetics, ideology and nation-building
（Library of modern Middle East studies, 105）
I.B. Tauris, 2013
- : hbk
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注記
Includes bibliographical references (p. [225]-242) and index
内容説明・目次
内容説明
Art and cultural production in Egypt during much of the last hundred years has operated against a backdrop of political crisis and confrontation. Patrick Kane focuses on the turbulent changes of the 1920s to 1960s, when polemical discourse and artistic practice developed against the entrenched and co-opted conservatism of elite and state culture. Radical forms of cultural criticism and dissonance emerged, and this legacy continues to resonate through contemporary activism and dissent. Kane charts the rise of key art movements, like the Egyptian Surrealists and the Contemporary Art Group, and explores their resistance to the Nahda paradigm of elite culture, as well as Nasser's state authoritarianism and nationalist agenda. Through the work of artists and critics like Abd al-Hadi al-Gazzar and Gamal al-Sagini, Kane provides rare insight into the Egyptian cultural and aesthetic experience, and how it has been shaped within a context of political and social conflict.
目次
The Social Horizon of Egyptian Aesthetics
Art Institutions, Agrarian Conflict and Fascism from 1908-40
Art in Egyptian Civil Society, 1938-51
The Festival and the State: The Contemporary Art Group and a Philosophy of Traditional Arts
The Landlord-Peasant Battles as a Subject for the Arts: From Buhut to Kamshish
Conflicts in the Arts over Upper Egypt: 'Abd al-Hadi al-Gazzar and his Contemporaries
7. Conclusion: Political Currents in the Philosophy and Experience of Egyptian Aesthetics
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