The women of shin hanga : the Judith and Joseph Barker collection of Japanese prints
著者
書誌事項
The women of shin hanga : the Judith and Joseph Barker collection of Japanese prints
Hood Museum of Art, Dartmouth College , Distributed by University Press of New England, c2013
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Issued in connection with an exhibition held April 6 through July 28, 2013, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Includes bibliographical references (p. 256-259) and index
収録内容
- Shin Hanga and the Persistence of Edo Culture / Allen Hockley
- The Modern Beauty in Taisho Media / Nozomi Naoi
- Dynamic Actors and Expanding Networks: The Rise of Shin Hanga in America in the 1920s and 1930s / Kendall H. Brown
内容説明・目次
内容説明
Shin hanga (new prints) were an early-twentieth-century revival of traditional Japanese woodblock prints that had enjoyed tremendous appeal during the previous two centuries. Though inspired by their predecessors, shin hanga artists engaged with issues specific to their own time, especially in their depictions of women, where traditional conceptions of femininity competed with Western fashions and the loose morals of "modern girls." Tracing the development of this fascinating visual culture, this exhibition catalogue examines the strategies shin hanga artists developed to retain and enhance the essential aesthetic qualities of traditional woodblock prints while negotiating dramatic changes in their social, cultural, and artistic environments.
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