The women of shin hanga : the Judith and Joseph Barker collection of Japanese prints
Author(s)
Bibliographic Information
The women of shin hanga : the Judith and Joseph Barker collection of Japanese prints
Hood Museum of Art, Dartmouth College , Distributed by University Press of New England, c2013
Available at 7 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Exhibition catalogue
Issued in connection with an exhibition held April 6 through July 28, 2013, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Includes bibliographical references (p. 256-259) and index
Contents of Works
- Shin Hanga and the Persistence of Edo Culture / Allen Hockley
- The Modern Beauty in Taisho Media / Nozomi Naoi
- Dynamic Actors and Expanding Networks: The Rise of Shin Hanga in America in the 1920s and 1930s / Kendall H. Brown
Description and Table of Contents
Description
Shin hanga (new prints) were an early-twentieth-century revival of traditional Japanese woodblock prints that had enjoyed tremendous appeal during the previous two centuries. Though inspired by their predecessors, shin hanga artists engaged with issues specific to their own time, especially in their depictions of women, where traditional conceptions of femininity competed with Western fashions and the loose morals of "modern girls." Tracing the development of this fascinating visual culture, this exhibition catalogue examines the strategies shin hanga artists developed to retain and enhance the essential aesthetic qualities of traditional woodblock prints while negotiating dramatic changes in their social, cultural, and artistic environments.
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