Psychology comes to Harlem : rethinking the race question in twentieth-century America
著者
書誌事項
Psychology comes to Harlem : rethinking the race question in twentieth-century America
(New studies in American intellectual and cultural history)
Johns Hopkins University Press, 2012
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
In the years preceding the modern civil rights era, cultural critics profoundly affected American letters through psychologically informed explorations of racial ideology and segregationist practice. Jay Garcia's probing look at how and why these critiques arose and the changes they wrought demonstrates the central role Richard Wright and his contemporaries played in devising modern antiracist cultural analysis. Departing from the largely accepted existence of a "Negro Problem", Wright and such literary luminaries as Ralph Ellison, Lillian Smith, and James Baldwin described and challenged a racist social order whose psychological undercurrents implicated all Americans and had yet to be adequately studied. Motivated by the elastic possibilities of clinical and academic inquiry, writers and critics undertook a rethinking of "race" and assessed the value of psychotherapy and psychological theory as antiracist strategies. Garcia examines how this new criticism brought together black and white writers and became a common idiom through fiction and nonfiction that attracted wide readerships.
An illuminating picture of mid-twentieth-century American literary culture and learned life, "Psychology Comes to Harlem" reveals the critical and intellectual innovation of literary artists who bridged psychology and antiracism to challenge segregation.
目次
Acknowledgments
Introduction
1. Richard Wright Writing: The Unconscious Machinery of Race Relations
2. Richard Wright Reading: The Promise of Social Psychiatry
3. Race and Minorities from Below: The Wartime Cultural Criticism of Chester Himes, Horace Cayton, Ralph Ellison, and C. L. R. James
4. Strange Fruit: Lillian Smith and the Making of Whiteness
5. Notes on a Native Son: James Baldwin in Postwar America
Conclusion
Notes
Essay on Sources
Index
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