The Cambridge introduction to theatre directing
著者
書誌事項
The Cambridge introduction to theatre directing
（Cambridge introductions to literature）
Cambridge University Press, 2013
- : hardback
- : pbk
大学図書館所蔵 件 / 全11件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 269-275) and index
内容説明・目次
内容説明
This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors, designers, other collaborators and audiences, and treatment of dramatic material. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different rehearsal and staging principles and methods of such earlier groundbreaking figures as Stanislavsky, Meyerhold and Brecht, revising standard perspectives on their work. The authors analyse, as well, a diverse range of innovative contemporary directors, including Ariane Mnouchkine, Elizabeth LeCompte, Peter Sellars, Robert Wilson, Thomas Ostermeier and Oskaras Korsunovas, among many others. While tracing the different roots of directorial practices across time and space, and discussing their artistic, cultural and political significance, the authors provide key examples of the major directorial approaches and reveal comprehensive patterns in the craft of directing and the influence and collaborative relationships of directors.
目次
- Introduction
- 1. Traditional staging and the evolution of the director
- 2. The rise of the modern director
- 3. Directors of theatricality
- 4. Epic theatre directors
- 5. Total theatre: the director as auteur
- 6. Directors of ensemble theatre
- 7. Directors, collaboration and improvisation.
「Nielsen BookData」 より
