Dada and its legacies
著者
書誌事項
Dada and its legacies
(Avant garde critical studies, 27 . Dada and beyond ; v. 2)
Rodopi, 2012
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
International, iconoclastic, inventive, born out of the institutionalised madness of the First World War, Dada erupted in cities throughout Europe and the USA, creating shock waves that offended polite society and destabilised the cultural and political status quo. In spite of its sporadic and ephemeral character, its rich and diverse legacy is still powerfully felt nearly a century later. Following on from Dada and Beyond Volume 1: Dada Discourses, the sixteen essays in this collection provide critical examinations of Dada, placing particular emphasis on the ongoing impact of its creative output. The chapters examine its pivotal figures as well as its more peripheral protagonists, their different geographic locations, and the extraordinary diversity of their practices that included poetry, painting, printmaking, dance, performance, theatre, textiles, readymades, photomontage and cinema.
As the book's authors reveal, Dada not only anticipates Surrealism but also foreshadows an extraordinary array of more recent tendencies including action painting, conceptual art, outsider art, performance art, environmental and land art. In its privileging of chance and automatism, its rejection of formal artistic institutions, its subversive exploitation of mass media and its constant self-reconstitution and self-redefinition, Dada deserves to be seen as a cultural phenomenon that is still powerfully relevant in the twenty-first century.
目次
List of Illustrations
Elza Adamowicz and Eric Robertson: Preface
Dada Performance
Jill Fell: Zurich Dada Dance Performance and the Role of Sophie Taeuber
Catherine Dufour: L'Acte Dada
Kerstin Sommer: 'Dada is Dead - Long Live Dada': The Influence of Dadaism on Contemporary Performance Art
Dada and Cinema
Jennifer Wild: Francis Picabia, Stacia Napierkowska, and the Cinema: The Circuits of Perception
Kim Knowles: Patterns of Duality - Between/Beyond Dada and Surrealism: Man Ray's Emak Bakia (1926)
Ramona Fotiade: Spectres of Dada: From Man Ray to Marker and Godard
Dada Cultures
Dafydd Jones: The Location of Dada Culture: Revising the Cultural Coordinates
Nadia Ghanem: Le Cabaret Voltaire en perspective
Patrick Suter: Dada et la fonction ecologique de l'art (a partir de Fountain de Duchamp)
Dada Legacies
Nathalie Roelens: Dans le sillage de Dada: Dubuffet, Michaux, Alechinsky et autres 'peripheriques'
Paul Cooke: The Critical Reception of Rene Crevel: The 1920s and Beyond
Andrea Oberhuber: Enfants naturels ou filles spirituelles? A propos de quelques reflexions sur l'esprit de filiation Dada dans les pratiques 'autographiques' des auteures-artistes surrealistes
John Goodby: 'The Rimbaud of Cwmdonkin Drive': Dylan Thomas as Surrealist
Beyond Dada
Olivier Salazar-Ferrer: Tararira de Benjamin Fondane et l'heritage subversif du Dadaisme
Alfred Thomas: Dada and its Afterlife in Czechoslovakia: Jan Svankmajer's The Flat and Vera Chytilova's Daisies
Stephen Forcer: The Importance of Talking Nonsense: Tzara, Ideology, and Dada in the 21st Century
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