Arnheim for film and media studies
著者
書誌事項
Arnheim for film and media studies
(AFI film readers)
Routledge, 2011
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [267]-269) and index
収録内容
- Foreword : Rudolf Arnheim in retrospect / Dudley Andrew
- Rudolf Arnheim : clarity, simplicity, balance / David Bordwell
- Arnheim and modernism / Malcolm Turvey
- Rudolf Arnheim's early passage between social and aesthetic film criticism / Eric Rentschler
- Screening out sound : Arnheim and cinema's silence / Nora M. Alter
- A gestalt approach to film analysis / Meraj Dhir
- Deft trajectories for the eye : bringing Arnheim to Vincente Minnelli's color design / Scott Higgins
- Perfecting the complete cinema : Rudolf Arnheim and the digital intermediate / Jinhee Choi
- Art, accident, and the interpretation of the modern world / Patrick Keating
- Visual thinking of the avant-garde film / Maureen Turim
- Arnheim on radio : materialtheorie and beyond / Shawn VanCour
- Television from afar : Arnheim's understanding of media / Doron Galili
- Arnheim and comics / Greg M. Smith
- Arnheim on style history / Colin Burnett
- Arnheim on the ontology of the photographic image / Vincent Bohlinger
内容説明・目次
内容説明
Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies.
In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim's legacy for film and media studies. In fourteen essays, the contributors bring Arnheim's later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim's film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media.
This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim's foundational work in film theory and aesthetics.
目次
Foreword: Rudolf Arnheim in Retrospect, Dudley Andrew
Introduction, Scott Higgins
1. Rudolf Arnheim: Clarity, Simplicity, Balance, David Bordwell
2. Arnheim and Modernism, Malcolm Turvey
3. Rudolf Arnheim's Early Passage between Social and Aesthetic Film Criticism,
Eric Rentschler
4. Screening Out Sound: Arnheim and Cinema's Silence, Nora M. Alter
5. A Gestalt Approach to Film Analysis, Meraj Dhir
6. Deft Trajectories for the Eye: Bringing Arnheim to Vincente Minnelli's Color Design, Scott Higgins
7. Perfecting the Complete Cinema: Rudolf Arnheim and the Digital Intermediates, Jinhee Choi
8. Art, Accident, and the Interpretation of the Modern World, Patrick Keating
9. Visual Thinking of the Avant-Garde Film, Maureen Turim
10. Arnheim on Radio: Materialtheorie and Beyond, Shawn VanCour
11. Television from Afar: Arnheim's Understanding of Media, Doron Galili
12. Arnheim and Comics, Greg M. Smith
13. Arnheim on Style History, Colin Burnett
14. Arnheim on the Ontology of the Photographic Image, Vincent Bohlinger
Notes on Contributors
「Nielsen BookData」 より