Dante and Italy in British Romanticism
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Bibliographic Information
Dante and Italy in British Romanticism
（Nineteenth-century major lives and letters）
Palgrave Macmillan, 2011
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Note
Bibliography: p. [225]-240
Includes index
Description and Table of Contents
Description
From the artistic practice of improvisation to the politics of nationalism, the essays in this volume break new ground and significantly extend our understanding of the relations between British and Italian culture in its analysis of the reception of Dante and Italian literature in British Romanticism.
Table of Contents
- Wordsworth in Italy
- M.Gaull Sitting in Dante's Throne: Wordsworth and Italian Nationalism
- B.Graver Byron between Ariosto and Tasso
- N.Halmi Byron and Alfieri
- P.Cochran "More than Half Erased": Shelley, Dante, and Realms Without a Name
- M.O'Neill Epipsychidion and the Renewable Life
- S.Curran Mary Shelley's Valperga : Romance, Philology and Historiography
- T.Rajan Appropriating Dante in Felicia Hemans's 'The Maremma': Writing the Nation, Defining National Culture
- D.Saglia De Stael's Corinne and the Performance of Romanticism
- D.Hoeveler Importing Improvvisatori : The Culture of Poetic Improvisation in 1820s England
- A.Esterhammer Masaniello on the London Stage
- F.Burwick Revisioning Rimini : Reading Dante in the Cockney School
- J.N.Cox Syllables of the Sweet South: Figuring the Sound of Italian in the Romantic Period
- T.Webb
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