Carlo Scarpa : Venini 1932-1947
著者
書誌事項
Carlo Scarpa : Venini 1932-1947
Skira, 2012
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Catalogue of the exhibition, held at "Le Stanze del Vetro", Fondazione Giorgio Cini, Island of San Giorgio Maggiore, Venice
Bibliography: p. 488-489
内容説明・目次
内容説明
This is a splendid catalogue devoted to the work of an artist who was responsible for some of the most original glass artworks in art history. Through around 300 works, documents, and original drawings from private collections and museums from all over the world, this important volume reconstructs the work and life of Carlo Scarpa from the very beginnings of his career when he worked as artistic director for the Venini glassworks, between 1932 and 1947. The experience acquired in those years offered Scarpa the possibility of following the experimental vocation that was to also distinguish his work as an architect, and to carry forward research intended to investigate the expressive possibilities of glass the material, to experiment with the age-old crafting techniques of the old masters of Murano and to update the traditional forms of craftsmanship in glass. It is no coincidence that Scarpas glasswork can be organized into no less than thirty distinct styles, differentiated by the technique of execution and the glass construction method used. We need only think of the corrosi (corroded), in which the material is attacked and eaten into by sawdust soaked in hydrofluoric acid.
Under Scarpas artistic direction the forms created at the Venini glassworks are more sober and modern, with geometrical inspiration, and above all, the importance of the role of the designer is established in the history of 20th-century Venetian glass, which owes much of its substantial renewal to him.
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