Lost generation : Luo Zhenyu, Qing loyalists and the formation of modern Chinese culture
著者
書誌事項
Lost generation : Luo Zhenyu, Qing loyalists and the formation of modern Chinese culture
(Saffron Asian art & society series)
Saffron, c2012
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This volume investigates the roles as politician, antiquarian, art dealer, and publisher, of Luo Zhenyu (1866~1940) who, together with his circle of Qing loyalists (yilao), established modern historical and intellectual practices in late dynastic and early Republican China. Luo himself took the lead in defining Chinese culture at a critical moment in history, when an abundance of new materials, such as oracle bones and manuscripts from Dunhuang, were coming to light, and when new techniques could be employed in their publication. History has portrayed Luo Zhenyu and his loyalist circle as traitors twice over: first as obsolete remnants of an incompetent Qing government, then as collaborators in the Japanese puppet state of Manzhouguo (Man-chou-kuo, 1923~1945). Art-historical scholarship has hitherto equated Qing loyalists' cultural production with outmoded traditions, in direct opposition to modernisation. In contrast, this project considers the engagement with traditional culture by dispossessed loyalists as essential not just to the constitution of modernity in China, but also to the conceptualisation of East Asian art as a whole.
In this edited volume, eight chapters explore tradition as articulated through ethnic and political identifications by figures who engaged in 'modern' practices such as publishing, collecting and the burgeoning fields of archaeology, art history and intellectual history. The chapters are organised according to three major themes: New Ways of Looking at The Past, Circulating Objects of Knowledge, and Qing Loyalists: Reviled Pasts and Unstable Present. One of the strengths of this volume lies in a breadth of inquiry that breaks through conventional disciplinary boundaries. Any historical treatment of Luo Zhenyu, the Qing loyalists and other minority constituencies of early twentieth-century China, inured to the vagaries of collaboration and resistance, must negotiate a thicket of overlapping histories. In this spirit, this examination of Luo Zhenyu and his yilao circle will confront the taboos surrounding their reviled past to reveal a complex but crucial aspect of Chinese cultural history.
目次
- Acknowledgements 13
- Foreword Roderick Whitfield 15
- Contributors 17
- Introduction: A Lost Generation: Luo Zhenyu, Yilao and Modern Chinese Culture Yang Chia-Ling 18
- 1 Luo Zhenyu and the Formation of Qiwu and Qiwuxue in the First Decade of the Republican Era Wang Cheng-hua 32
- 2 Luo Zhenyu and the Predicament of Republican Period Antiques Collecting Shana J Brown 58
- 3 'Returning to the Classics, Trusting the Ancient:' Luo Zhenyu's Exploration of Traditional Chinese Identity in Modern China Pai Shih-mi ng 74
- 4 New Literati and the Reproduction of Antiquity: Contextualizing Luo Zhenyu and Wang Guowei Robert Culp 98
- 5 Luo Zhenyu and the 'Legacy of the Southern School' in Japan and the West Tama ki Maeda 122
- 6 A Newly Made Marketable 'Leftover': Luo Zhenyu's Scholarship and Art Business in Kyoto (1911~1919) Hong Zai xin 142
- 7 Deciphering Antiquity into Modernity: The Cultural Identity of Luo Zhenyu and the Qing Loyalists in Manzhouguo Yang Chia -Ling 172
- 8 Dilemma of Loyalty: Qing Loyalists and State Succession in the Early 20th Century Shao Dan 210
- 9 Circle of Luo Zhenyu Yang Chia -Ling 228
- 10 Chronology of Luo Zhenyu (1866~1940) YANG Chia -Ling & Roderic k Whitfield 238
- 11 Publications of Luo Zhenyu Yang Chia -Ling & Roderic k Whitfield 283
- Index 297
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