Destination London : German-speaking emigrés and British cinema, 1925-1950
著者
書誌事項
Destination London : German-speaking emigrés and British cinema, 1925-1950
（Film Europa : German cinema in an international context, v. 6）
Berghahn Books, 2008
- : pbk
- : [hardcover]
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注記
Bibliography: p. [247]-257
Includes index
内容説明・目次
内容説明
The legacy of emigres in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance. Focusing on areas such as exile, genre, technological transfer, professional training and education, cross-cultural exchange and representation, it begins by mapping the reasons for this neglect before examining the contributions made to British cinema by emigre directors, actors, screenwriters, cinematographers, set designers, and composers. It goes on to assess the cultural and economic contexts of transnational industry collaborations in the 1920s, artistic cosmopolitanism in the 1930s, and anti-Nazi propaganda in the 1940s.
目次
Acknowledgements
Chapter 1. Introduction: German-speaking Emigres and British Cinema, 1925-50: Cultural Exchange, Exile and the Boundaries of National Cinema
Tim Bergfelder
Chapter 2. Life Is a Variety Theatre: E.A. Dupont's Career in German and British Cinema
Tim Bergfelder
Chapter 3. Geza von Bolvary, Arnold Ridley and 'Film Europe'
Lawrence Napper
Chapter 4. Inside the Robots' Castle: Ufa's English-language Versions in the Early 1930s
Chris Wahl
Chapter 5. Flamboyant Realism: Werner Brandes and British International Pictures in the Late 1920s
Kelly Robinson
Chapter 6. Famously Unknown: Gunther Krampf's Work as Cinematographer in British Films
Michael Omasta
Chapter 7. 'German, or still more horrible thought, Russian - at any rate, it is un-English!' A Wide Shot of Exile, Emigre and Itinerant Activity in the British Film Industry in the 1930s
Amy Sargeant
Chapter 8. Extending Frames and Exploring Spaces: Alfred Junge, Set Design and Genre in British Cinema
Sarah Street
Chapter 9. Lost in Siberia: Ernoe Metzner in Britain Laurie
N. Ede
Chapter 10. 'Be kvite kviet, everybody, please!': Paul L. Stein and British Cinema
Christian Cargnelli
Chapter 11. Allegories of Displacement: Conrad Veidt's British Films
Gerd Gemunden
Chapter 12. Anton Walbrook: The Continental Consort
Michael Williams
Chapter 13. From 'Alien Person' to 'Darling Lilli': Lilli Palmer's Roles in British Cinema
Barbara Ziereis
Chapter 14. 'You call us "Germans", you call us "brothers" - but we are not your brothers!': British Anti-Nazi Films and German speaking Emigres
Tobias Hochscherf
Chapter 15. Carl Mayer: Years of Exile in London
Brigitte Mayr
Chapter 16. Music for the People: Escapism and Social Comment in the Work of Hans May and Ernst Meyer
Geoff Brown
Chapter 17. I Know Where I'm Going! Hearing Germanic Music in the Scottish Isles
K.J. Donnelly
Chapter 18. 'An Animated Quest for Freedom': Matyas Seiber's Score for The Magic Canvas
Florian Scheding
Notes on Contributors
Bibliography
Index
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