Theatre writings
著者
書誌事項
Theatre writings
Nick Hern Books, 2007
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Following on from his "Diaries and Letters", comes this long awaited selection of the best of Tynan's theatre criticism. 'I doubt,' wrote Kenneth Tynan in his review of "Look Back in Anger", 'if I could love anyone who did not wish to see this play'. Famous above all for his championship of the Angry Young Men at the Royal Court and for heralding Brecht, Beckett and Pinter, Tynan was not only the 20th century's most influential theatre critic, but his writing was itself a 'high-definition performance' - one of the qualities he always sought in others. This volume, selected and edited by Tynan's biographer, Dominic Shellard, brings together the best of Tynan's theatre writing drawn from his twelve years as a theatre critic (1951-63). Included are ground-breaking reviews of plays by Arthur Miller, John Osborne, T.S.Eliot and Noel Coward, as well as articles on such topics as Broadway musicals, censorship, Brecht in Berlin and the National Theatre, where he was to be Olivier's right-hand man - thus ending his career as a critic. All of Tynan's theatre criticism has been out of print for many years - a fact regularly lamented by reviewers.
This new, comprehensive selection will be the standard reference point for Tynan's work for years to come, as well as providing useful contexts for each review.
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