International adventures : German popular cinema and European co-productions in the 1960s
著者
書誌事項
International adventures : German popular cinema and European co-productions in the 1960s
(Film Europa : German cinema in an international context, v. 2)
Berghahn Books, 2006
- : pbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [263]-269
Includes index
内容説明・目次
内容説明
West German cinema of the 1960s is frequently associated with the emergence of a new generation of filmmakers, collectively known by the 1970s as the "New German Cinema." Yet for domestic and international audiences at the time, German cinema primarily meant popular genres such as exotic adventure films, Gothic crime thrillers, westerns, and sex films, which were dismissed by German filmmakers and critics of the 1970s as "Daddy's Cinema."
International Adventures provides the first comprehensive account of these genres, and charts the history of the West German film industry and its main protagonists from the immediate post-war years to its boom period in the 1950s and 1960s. By analyzing film genres in the context of industrial practices, literary traditions, biographical trajectories, and wider cultural and social developments, this book uncovers a forgotten period of German filmmaking that merits reassessment.
International Adventures firmly locates its case studies within the wider dynamic of European cinema. In its study of West German cinema's links and co-operations with other countries including Britain, France, and Italy, the book addresses what is perhaps the most striking phenomenon of 1960s popular film genres: the dispersal and disappearance of markers of national identity in increasingly international narratives and modes of production.
目次
List of Illustrations
Acknowledgements
Chapter 1. Introduction
PART I: HISTORICAL AND CULTURAL CONTEXTS
Chapter 2. From Rubble to Prosperity: Reconstruction of a National Film Industry
Chapter 3. From National to European Cinema
Chapter 4. The Distribution Sector
Chapter 5. Film, Television, and Internationalisation
PART II: CASE-STUDIES
Chapter 6. Artur Brauner's CCC: Remigration, Popular Genres, and International Aspirations
Chapter 7. Imagining England: the West German Edgar Wallace Series
Chapter 8. From Soho to Silverlake: the Karl May Westerns
Chapter 9. Beyond Respectability: B-Film Production in the 1960s
Chapter 10. Conclusion: the End of an Era?
Appendix: Filmography of 1960s Genre Cycles
Bibliography
Index
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