Painted songs : continuity and change in an Indian folk art

著者

書誌事項

Painted songs : continuity and change in an Indian folk art

Thomas Kaiser ; [transratin German-English, Joan Clough]

Arnoldsche , Ethnographic Museum of the University of Zurich, c2012

タイトル別名

Rollenspiel und Bildgesang : Geschichte und Geschichten bengalischer Bildrollen

大学図書館所蔵 件 / 2

この図書・雑誌をさがす

注記

Exhibition catalogue

"This catalogue is published on the occasion of the exhibition Rollenspiel und Bildgesang--Geschichte und Geschichten bengalischer Bildrollen at the Ethnographic Museum of the University of Zurich, 1 September 2012-3 March 2013"--T.p. verso

Bibliography: p. 179-181

内容説明・目次

内容説明

For over 2000 years artists travelled throughout India, using painted picture scrolls to spread stories from the great Indian epics, as well as a wealth of stories about regional Gods and heroes and moral tales, amongst the most illiterate rural population. In the hands of the painters and singers, the picture scrolls became a portable cinema, projection screens for mythical knowledge and an incentive to listen to the songs whilst looking at the scrolls. In the same way that other oral art forms have dwindled and lost significance, the picture scroll artists also lost their public and their income. However, in the east of India - in West Bengal and Jharkhand - two closely related but distinctive picture scroll traditions have been upheld: the patua and the jadopatia. Political changes, technical innovations and social turmoil brought both these traditions face to face with the necessity to develop new survival strategies too. Accompanies an exhibition at the Ethnographic Museum of the University of Zurich, Switzerland, from 30th August 2012.

「Nielsen BookData」 より

詳細情報

ページトップへ