Modern French visual theory : a critical reader

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書誌事項

Modern French visual theory : a critical reader

edited by Nigel Saint and Andy Stafford

Manchester University Press , Distributed in the United States exclusively by Palgrave Macmillan, 2013

  • : pbk

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

When French theory went global in the late twentieth century its visual wing was understandably built on the work of its best-known thinkers, notably Foucault, Derrida, Barthes and Deleuze. However these names merely scratch the surface of a vibrant and innovative body of theory that has been produced in France over the last six decades. As well as a substantial interview with Sorbonne professor Bernard Vouilloux, this volume focuses on a range of theorists who usually sit under the academic radar, especially when outside of France: Arasse, Buci-Glucksmann, Damisch, Debray, Didi-Huberman, Heinich, Marin, Schefer and Stiegler. Also discussed is the important work on the visual by Baudrillard, Merleau-Ponty, Metz and Nancy. All of these thinkers are given introductory and exploratory treatment here, and are allowed to talk between themselves. By looking at a wider set of theories and theorists relating to the visual, the debates are able to cross-fertilize, with the chapters divided into five major areas: phenomenology and beyond; new art histories and genealogies; semiotics and methodologies; memory and the body; and the digital era. This volume brings together international scholars working within Visual Culture and Art History, to look in detail at a range of issues in French contemporary visual theory. The chapters cover the main media of visual culture: fine art, cinema, museology, photography, as well as the key philosophical coordinates of modern times - phenomenology, structuralism and semiology, post-structuralism, psychoanalysis, sociology, aesthetics and Marxism. Throughout, the volume offers in-depth accounts of keywords, broad critical and historical contexts, and close attention to the language of visual theory. -- .

目次

Introduction - Nigel Saint and Andy Stafford Part 1. Precursors: Phenomenology and Semiotics 1. 'Merleau-Ponty: The Madness of Vision' (Nathalie Aubert) 2. 'Christian Metz: Constructing Meaning in Film' (Martine Joly) Part 2. New Art Histories and Genealogies 3. 'Daniel Arasse's Joyful Visual Science: In the Intimacy of History and Art' (Ralph Dekoninck) 4. 'Dream Perspectives: Hubert Damisch, Psychoanalysis, and Early Modern Art History' (David Packwood) 5. 'Christine Buci-Glucksmann: the Archaeology of Shadows or the Aesthetics of Image-Flux' (Francois-Xavier Gleyzon) Part 3. Representation, Mediology and Sociology 6. 'Louis Marin's Theories of Representation: between Text and Image, from Visuality to Figurability' (Agnes Guiderdoni) 7. 'Transmission versus Communication: Regis Debray's Mediology' (Andy Stafford) 8. 'Value, Meaning, Method: Nathalie Heinich's Sociological Perspectives on Visual Culture' (Shirley Jordan) Part 4. Memory, Body, Image 9. 'Seeing and Touching: Jean-Luc Nancy and the Ground of the Image' (Ian James) 10. 'Georges Didi-Huberman: Images, Critique and Time' (Nigel Saint) 11. 'Jean-Louis Schefer: The Body of the Image' (Patrick ffrench) Part 5. The Digital Era 12. 'Jean Baudrillard' (Paul Hegarty) 13. 'Real Time: Bernard Stiegler and the Politics of Digitalization (Arthur Bradley) Part 6. Afterword 14. Interview with Bernard Vouilloux (Saint and Stafford) Index -- .

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