Lola Álvarez Bravo : and the photography of an era
著者
書誌事項
Lola Álvarez Bravo : and the photography of an era
Editorial RM, 2012
- RM Verlag
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Exhibition data unwritten
Selected bibliography: p. 150-151
内容説明・目次
内容説明
Lola was extraordinary as a woman and as an artist. She maintained close friendships with a large group of intellectuals, writers, poets, and playwrights who included Salvador Novo, Elias Nandino, and Diego de Mesa. She was also part of a dynamic circle of visual artists who included her husband, Manuel Alvarez Bravo, as well as Maria Izquierdo, Rufino Tamayo, Frida Kahlo, and Diego Rivera. In addition to the photographs she took out personal aesthetic motives, she produced countless works on commission for various private and governmental entities. The one hundred photographs presented in this book belong to the Gonzalez Rendon archive. They represent only a small selection of its incredibly varied riches. These photographs throw new light on Lola's working methods and provide a deeper understanding of the complexity of her career. They also reveal her interest in surrealism and the avant-garde technique of photomontage, as well as her mastery of various genres, from the portraits of famous intellectuals and close friends to the documentary images of urban and rural poverty in Mexico.
Accompanying the photographs in this volume are essays by curators Adriana Zavala and Rachael Arauz and by James Oles, a specialist in Latin American art. Other scholars and photography specialists who have contributed to the volume are Dina Comisarenco, Karen Cordero, Deborah Dorotinsky, Ana Garduno, Carolina Gonzalez, Cecilia Olivares, Cristobal Jacome, Johanna Spanke, and Javier Vazquez.
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