The politics of the Soviet cinema, 1917-1929
著者
書誌事項
The politics of the Soviet cinema, 1917-1929
(International studies)
Cambridge University Press, 2008, c1979
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
"First published 1979, this degitally printed version 2008"--T.p. verso
"Paperback re-issue"--Backcover
Bibliography: p. 184-208
Includes index
内容説明・目次
内容説明
Much has been written about Soviet literature and its political significance in the years following the October Revolution, but little has been written about the cinema in the same context. And yet in 1922 Lenin said, 'Of all the arts, for us the cinema is the most important.' What did he mean? This book looks at the Soviet cinema in its formative period from the political point of view, examining both the attitude of the authorities towards the cinema and the actual use to which the cinema was put. It demonstrates how, even at the height of the 'Golden Era of the Soviet film', the Bolsheviks repeatedly failed to organise the cinema successfully as an effective propaganda weapon. The book provides an illuminating background of the political history of the Soviet cinema in the twenties against which its most famous films can be re-examined.
目次
- Preface
- Acknowledgements
- Note on transliteration
- Abbreviations
- 1. The pre-history of the Soviet cinema
- 2. The Bolsheviks, propaganda and the cinema
- 3. Revolution and Civil War
- 4. The disorganisation of organisation: the early twenties
- 5. The organisation of disorganisation: the later twenties
- 6. The Party takes control
- 7. Theory and film
- 8. Conclusions
- Notes
- Bibliography
- Index.
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