Turner and Constable : sketching from nature : works from the Tate collection
著者
書誌事項
Turner and Constable : sketching from nature : works from the Tate collection
Tate, 2013
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
"On the occasion of the exhibition, Turner and Constable : sketching from nature : works from the Tate collection. Compton Verney, 13 July-22 September 2013, Turner Contemporary, Margate, 8 October 2013-15 January 2014, Laing Art Gallery, Newcastle, 1 March-20 June 2014."--T.p. verso
Includes bibliographical references (p. 113-114) and index
内容説明・目次
内容説明
Accompanying a major UK touring exhibition which includes approximately 60 works by Turner, Constable and their contemporaries from the Tate collection, this richly illustrated book explores the development, variety and innovation of the landscape oil sketch in British art, from its appearance in the 1770s; through to its flourishing during the first two decades of the nineteenth century; and its effective disappearance, save for Constable's persistence, during the 1820s. with an insight into the different modes artists of this period used for oil sketching, Michael Rosenthal and Anne Lyles show how each practitioner approached similar subjects - at a time when oil sketching outdoors was still comparatively unusual. The result is an introductory study into the techniques of sketching, and the often surprising connections that can be drawn between the artists involved. These stimulating comparisons prompt questions about the importance of oil sketching in this period and how finished works were planned, evolved and executed.
Featuring works by Turner and Constable alongside artists such as George Stubbs, John Linnell, William Henry Hunt, John Sell Cotman, John Crome, Francis Danby, Thomas Jones, George Robert Lewis and Augustus Wall Callcott, this timely study re-investigates many beautiful and revealing sketches which, brought together here, showcase a direct naturalism of a kind unprecedented in the history of British art.
「Nielsen BookData」 より