Mozart's chamber music with keyboard
Author(s)
Bibliographic Information
Mozart's chamber music with keyboard
Cambridge University Press, 2012
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and indexes
Contents of Works
- The chamber music with keyboard in Mozart biography / Martin Harlow
- Mozart's early chamber music with keyboard : traditions of performance, composition, and commodification / Nicholas Baragwanath
- Opus 1, take 2 : Mozart's Mannheim and Paris sonatas for keyboard and violin / Peter Walls
- Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David : a survey of editorial and violin performance practices / Robin Stowell
- Mozart's keyboard trios: styles, textures and contexts / Katalin Komlós
- A winning strike : the miracle of Mozart's 'Kegelstatt' / Colin Lawson
- An experiment in variation : the finale of Mozart's Piano Trio in G, K.496 / Roman Ivanovitch
- On instrumental sounds, roles, genres and performances : Mozart's Piano Quartets, K.478 and K.493 / Simon P. Keefe
- Enlarging the musical discourse : Mozart's piano quartet in G Minor, K.478 / Robert S. Hatten
- Action, reaction and interaction, and the play of style and genre in Mozart's piano and wind quintet, K.452 / Martin Harlow
- Inhabiting Mozart's chamber music : the fortepianist's tale / John Irving
- Reading between the lines : the notation and performance of Mozart's chamber music with keyboard / Clive Brown
- Private and public forms of art : Charles Rosen on Mozart's chamber music with keyboard / Charles Rosen in conversation
Description and Table of Contents
Description
Internationally renowned scholars and performers present a wide range of new analytical, historical and critical perspectives on some of Mozart's most popular chamber music: his sonatas with violin, keyboard trios and quartets and the quintet with wind instruments. The chapters trace a broad chronology, from the childhood works, to the Mannheim and Paris sonatas with keyboard and violin, and the mature compositions from his Vienna years. Drawing upon the most recent research, this study serves the reader, be they a performer, listener or scholar, with a collection of writings that demonstrate the composer's innovative developments to generic archetypes and which explore and assess Mozart's creative response to the opportunities afforded by new and diverse instrumental combinations. Manners of performance of this music far removed from our own are revealed, with concluding chapters considering historically informed practice and the challenges for modern performers and audiences.
Table of Contents
- 1. The chamber music with keyboard in Mozart biography Martin Harlow
- 2. Mozart's early chamber music with keyboard: traditions of performance, composition, and commodification Nicholas Baragwanath
- 3. Opus 1, take 2: Mozart's Mannheim and Paris sonatas for keyboard and violin Peter Walls
- 4. Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David: a survey of editorial and violin performance practices Robin Stowell
- 5. Mozart's keyboard trios: styles, textures and contexts Katalin Komlos
- 6. A winning strike: the miracle of Mozart's 'Kegelstatt' Colin Lawson
- 7. An experiment in variation: the finale of Mozart's Piano Trio in G, K.496 Roman Ivanovitch
- 8. On instrumental sounds, roles, genres and performances: Mozart's Piano Quartets, K.478 and K.493 Simon P. Keefe
- 9. Enlarging the musical discourse: Mozart's Piano Quartet in G Minor, K.478 Robert S. Hatten
- 10. Action, reaction and interaction, and the play of style and genre in Mozart's Piano and Wind Quintet, K.452 Martin Harlow
- 11. Inhabiting Mozart's chamber music: the fortepianist's tale John Irving
- 12. Reading between the lines: the notation and performance of Mozart's chamber music with keyboard Clive Brown
- 13. Private and public forms of art: Charles Rosen on Mozart's chamber music with keyboard Charles Rosen in conversation.
by "Nielsen BookData"