Homemade men in postwar Austrian cinema : nationhood, genre and masculinity
著者
書誌事項
Homemade men in postwar Austrian cinema : nationhood, genre and masculinity
(Film Europa : German cinema in an international context, v. 15)
Berghahn, 2013
- : hardback
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes filmography (p. [229]-256)
Includes bibliographical references (p. [211]-228) and indexes
内容説明・目次
内容説明
Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a disrupted society. Through detailed analysis of the stylistic patterns, narratives and major themes of four popular genres of the time, costume film, Heimatfilm, tourist film and comedy, the book explains how popular cinema helped to shape national identity, smoothed conflicted gender relations and relieved the Austrians from the burden of the Nazi past through celebrating the harmonious, charming, musical Austrian man.
目次
Introduction
Gender as a Category of Analysis
Film and Society
Austrian Cinema - a National Cinema?
Chapter 1. Popular Cinema and Society
Austrian Cinema and the Audience
A Matter of Taste: The Popularity of Cinema in Post-war Austria
The Austrian Film Industry
Post-war Austrian Cinema and the Allied Forces
Class, Gender, National Identity and Other Issues of Major Concern
Chapter 2. The Historical Costume Film
The Popular Appeal of Historical Costume Films
Films Set in the Era of Metternich
Films Set in the Era of Kaiser Franz Joseph
Cinematic Recycling of Austria's Multi-ethnic Past
Conclusion
Chapter 3. Heimatfilm
The Heimatfilm as a Genre and the Meaning of Heimat
Visual Style and Narrative Themes
It's a Man's World: Gender Norms in Austrian Heimatfilm
Gendered Space: Nature and Masculinity
Conclusion
Chapter 4. Tourist Film
The Attraction of Tourist Film
Travelling towards a Better Future
From Pragmatism to Romance: Changing Views on Marriage
The Road to Happiness - Key Themes in Tourist Film
The Heterosexual Norm and Alternative Masculinities
Conclusion
Chapter 5. Comedy
The Attraction of Comedy
Visual Style and the Object of Humour
Mistaken Identities and the Chance of a New Beginning
Conflicted Gender Relations and Female Rebellion
Modernising Masculinity: In Search of a New Father
Conclusion
Conclusion
Bibliography and Sources
Filmography
Index
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