Jackson Pollock
Author(s)
Bibliographic Information
Jackson Pollock
Abrams, 2010
- : hardcover
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Originally published: London: Thames & Hudson; New York: Abrams, 1989
Includes selected bibliography (p. 269-270) and index
"Hardcover edition published in 2010"--T.p. verso
Description and Table of Contents
Description
How did Jackson Pollock become a cult figure for the Beat Generation? And what caused his reputation to continue to soar? This compelling and original Abrams classic locates the man and the artist in the continuum of his times, recreating the social and cultural milieu of New York in the 1940s and 1950s. Pollock's early years are chronicled, from his birth in the Wild West town of Cody, Wyoming in 1912 through his prophetically troubled school years marked by repeated expulsions, to his arrival in New York and period of rewarding study with Thomas Hart Benton, David Alfaro Siqueiros, and Stanley William Hayter. Withdrawn, abrasive and often drunk, Pollock nevertheless attracted many other mentors; John Graham, the Russian-born artist whose theories were pivotal to the Abstract Expressionists; the French Surrealist emigres who arrived during World War II; two highly supportive Jungian analysts; and perhaps most important of all, Lee Krasner, a fellow artist (and later his wife), whose knowledge of art-world thinking and whose conviction of Pollock's genius were essential to his development.
With extensive knowledge of Pollock's habits (much of it gained through interviews), his reading, his conversation and the exhibitions he visited, the author retraces many of the far-flung sources of Pollock's work-African sculpture; North American totems; the Mexican gods of Siqueiros, Orozco and Tamayo; arcane texts favoured by the Surrealists; and Egyptian necrology. A wealth of comparative photographs that illustrates paintings by artists Pollock admired further explains the work of this complex, tragic, and immeasurably influential figure.
by "Nielsen BookData"