Imagining the passion in a multiconfessional Castile : the Virgin, Christ, devotions, and images in the fourteenth and fifteenth centuries
著者
書誌事項
Imagining the passion in a multiconfessional Castile : the Virgin, Christ, devotions, and images in the fourteenth and fifteenth centuries
Pennsylvania State University Press, c2013
- : cloth
大学図書館所蔵 全6件
注記
Includes bibliographical references (p. [439]-463) and index
Summary: "An interdisciplinary reassessment of the creation and reception of religious imagery, and of its place in the devotional practices of Castilian Christians, situated against the broader panorama of Spanish culture in the fourteenth and fifteenth centuries"--Provided by publisher
内容説明・目次
内容説明
Recent research into the texts, practices, and visual culture of late medieval devotional life in western Europe has clearly demonstrated the centrality of devotions to Christ's Passion. The situation in Castile, however, could not have been more different. Prior to the final decades of the fifteenth century, individual relationships to Christ established through the use of "personalized" Passion imagery simply do not appear to have been a component of Castilian devotional culture.
In Imagining the Passion in a Multiconfessional Castile, Cynthia Robinson argues that it is necessary to reorient discussions of late medieval religious art produced and used in Castile, placing Iberian devotional art in the context of Iberian devotional practice. Instead of focusing on the segregation of the religious lives of members of late medieval Iberia's much-discussed "Three Confessions" (Judaism, Christianity, and Islam), Robinson offers concrete evidence of the profound impact of each sect on the other two.
Imagining the Passion in a Multiconfessional Castile ranges across traditional disciplinary and cultural divides. Robinson considers altarpieces that differ radically from their European contemporaries; architectural ornament; a rare series of narratives of Christ's life; indulgenced prayers; Muslim and Jewish mystical texts; lives, hours, devotions, and Psalters of and to the Virgin which appear to be uniquely Iberian and find resonances in both Hebrew and Arabic mystical literature; sacred gardens and trees in both textual and visual culture from Muslim, Christian, and Jewish contexts; and preaching manuals written by converted Jews. Together, these texts and images offer striking evidence of the plurality of late medieval Iberian religious life, both within the supposed boundaries of a specific religion and in terms of each culture's relationship with the other.
目次
Contents
Finalist, 2014 Charles Rufus Morey Book Award, honoring an especially distinguished book in the history of art.
List of Illustrations
Acknowledgments
List of Abbreviations
Introduction
1 The Life of Christ from Polemic to Devotion: Texts and Images
2 Christ Crucified: A Poetics of Transformation
3 Virgo Triumphans
4 Virgo Patiens
5 Images and Devotions: Devotional Images?
Conclusion
Notes
Bibliography
Index
「Nielsen BookData」 より