The Troyes Mémoire : the making of a medieval tapestry : with excerpts from the account books of the Church of Sainte-Madeleine
Author(s)
Bibliographic Information
The Troyes Mémoire : the making of a medieval tapestry : with excerpts from the account books of the Church of Sainte-Madeleine
(Medieval and Renaissance clothing and textiles / series editors, Robin Netherton, Gale R. Owen-Crocker)
Boydell, 2010
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
French text accompanied by parallel English translation
Includes bibliographical references (p. [185]-190) and index
Description and Table of Contents
Description
First English translation of a late fifteenth century manuscript containing instructions for designing a medieval tapestry - the only such to survive.
The "Troyes Mémoire", a late fifteenth-century manuscript preserved in the archives of the town of Troyes, France, is the sole surviving example of the written instructions used in designing tapestries during the Middle Ages. It is unique in its presentation of detailed information on how patrons and church officials communicated complex iconographic material to the medieval artists commissioned to paint cartoons for tapestries. It is here translated intoEnglish for the first time, with full introduction and extensive notes. The volume also includes a translation of another richly informative document from medieval Troyes: the Account Books of the Church of Sainte-Madeleine, whichintroduces us to the actual people who worked together, between 1416 and 1430, to produce a set of tapestries for the town's oldest church. They shed important new light on an era when tapestry represented a supreme form of art.
Tina Kane is Conservator, Metropolitan Museum of Art, Department of Textile Conservation.
Table of Contents
Foreword
Preface
Introduction
Translator's Notes
The Mémoire
Appendix: Excerpts from the Account Books of the Church of Sainte Madeleine of Troyes, 1425-1430
Glossary
Bibliography
by "Nielsen BookData"