Horn please : narratives in contemporary Indian art
Author(s)
Bibliographic Information
Horn please : narratives in contemporary Indian art
Hatje Cantz , [Distributed in USA/North America by] D.A.P./Distributed Art Pub., c2007
- : hbk.
- Other Title
-
Narratives in contemporary Indian art
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Catalog of the exhbition held at Kunstmuseum Bern, Sept. 21, 2007-Jan. 6, 2008
Includes bibliographical references
Contents of Works
- The multiple predicaments of the narrative / Bernard Fibicher
- Horn please / Parul Dave
- Partisan views about the human figure (1981) / Geeta Kapur
- In conversation with Gulammohammed Sheik / Suman Gopinath
- Questions and dialogue (1987) / Anita Dube
- Transit lounge : contemporary art in India (1992-2007) / Jitish Kallat
- Late arrival : an exhibition chronology of contemporary Indian art / Brigitte Ulmer
- Narratives in contemporary Indian art : a concept note / Githa Hariharan
- Narrating collisions
- Re-imagining Place for people
- Retelling stories/Telling metaphor
- Living in Alicetime
Description and Table of Contents
Description
While Western Modernism rejected narrative, and Western contemporary art is just now coming around again, India boasts a strong tradition of contemporary figurative, narrative painting. Horn Please follows the contemporary Eastern art scene from the past three decades, building out from two key points--the Radical Painters and Sculptors Association exhibitions Place for People (1982) and Question and Dialogue (1987). The former appropriated vernacular and global strategies, in work that drew as much from traditional styles as it did from the West, showcasing everyday stories; the latter rejected that line and everything commercial or Western, condensing narratives around political- and social-justice themes. Horn Please juxtaposes pieces from these seminal exhibitions with current work from the same artists, and with the work of artists too young to remember either show. Media include painting, sculpture, photography, photomontage, video, animation and installation.
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