Supercinema : film-philosophy for the digital age
著者
書誌事項
Supercinema : film-philosophy for the digital age
Berghahn, 2013
1st ed
- : hardback
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注記
Bibliography: p. [157]-177
Includes index
内容説明・目次
内容説明
Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the use of continued conventions more suited to analogue cinema, in a way that is analogous to that of Superman hiding his powers behind the persona of Clark Kent. Locating itself on the cusp of film theory, film-philosophy and cognitive approaches to cinema, Supercinema also looks at the relationship between the spectator and film that utilizes digital technology to maximum, 'supercinematic' effect.
目次
Acknowledgements
Introduction
Chapter 1. Digital Cinema's Conquest of Space
Chapter 2. The Deanthropocentric Character of Digital Cinema
Chapter 3. From Temporalities to Time in Digital Cinema
Chapter 4. The Film-Spectator-World Assemblage
Chapter 5. Concluding With Love
Bibliography
Index
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