Signifying the local : media productions rendered in local languages in mainland China in the new millennium
Author(s)
Bibliographic Information
Signifying the local : media productions rendered in local languages in mainland China in the new millennium
(China studies / editors, Glen Dudbridge, Frank Pieke, v. 25)
Brill, 2013
- : hardback
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Note
Bibliography: p. [291]-310
Includes index
Description and Table of Contents
Description
In Signifying the Local, Jin Liu examines contemporary cultural productions rendered in local languages and dialects (fangyan) in the fields of television, cinema, music, and literature in Mainland China. This ground-breaking interdisciplinary research provides an account of the ways in which local-language media have become a platform for the articulation of multivocal, complex, and marginal identities in post-socialist China. Viewed from the uniquely revealing perspective of local languages, the mediascape of China is no longer reducible to a unified, homogeneous, and coherent national culture, and thus renders any monolithic account of the Chinese language, Chineseness, and China impossible.
Table of Contents
Acknowledgments
Introduction
Chapter One A Historical Review of the Discourse of the Local in Twentieth-Century China
Chapter Two An Overview of Television Series Productions in the 2000s
Chapter Three Alternative Translation: Performativity in Dubbing Films in Local Languages
Chapter Four Empowering Local Community: TV News Talks Shows in Local Languages
Chapter Five Ambivalent Laughter: Comic Sketches in CCTV's Spring Festival Eve Gala
Chapter Six Popular Music and Local Youth Identity in the Age of the Internet
Chapter Seven The Rhetoric of Local Languages as the Marginal: Chinese Underground and Independent Films by Jia Zhangke and Others
Chapter Eight Multiplicity in Mainstream Studio Films in Local Languages
Chapter Nine The Unassimilated Voice in Recent Fiction in Local Languages
Conclusion
Film, Video, and Audio Sources
Bibliography
Index
by "Nielsen BookData"