Semiotics of exile in contemporary Chinese film

著者

    • Zeng, Hong

書誌事項

Semiotics of exile in contemporary Chinese film

Hong Zeng

(Semiotics and popular culture)

Palgrave Macmillan, 2012

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注記

Includes bibliographical references (p. [163]-174) and index

内容説明・目次

内容説明

Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed analysis of film language and theoretical exploration.

目次

Semiotics of Photography and Exile Postmodernism and Semiotics of Exile Female Doubling and Postcolonial Exile Semiotics of Exile and Genre Upsetting: Xin Jin's Subversion of Melodrama in Hibiscus Town Failure of Root-searching in Cheng Kaige Semiotics of Exile and Displaced Film Codes: Jia Zhangke's Three Films

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