The Gothic world
Author(s)
Bibliographic Information
The Gothic world
(The Routledge worlds)
Routledge, 2014
- : hbk
Available at 8 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at:
Gothic Histories
Gothic Spaces
Gothic Readers and Writers
Gothic Spectacle
Contemporary Impulses.
The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own 'World'.
Table of Contents
General Introduction, Glennis Byron and Dale Townshend Part 1. Gothic Histories 1. The Politics of Gothic Historiography, 1670-1800, Sean Silver 2. Gothic Antiquarianism in the Eighteenth Century, Rosemary Sweet 3. Gothic and the New American Republic, 1770-1800, Jeffrey Andrew Weinstock 4. Gothic and the Celtic Fringe, 1750-1850, James Kelly 5. British Gothic Nationhood, 1760-1830, Justin D. Edwards 6. Gothic Colonies, 1850-1920, Roger Luckhurst 7. History, Trauma and the Gothic in contemporary Western culture, Jerrold E. Hogle Part 2. Gothic Spaces 8. Gothic and the architectural Imagination, 1740-1840, Nicole Reynolds 9. Gothic Geography, 1760-1830, Benjamin A. Brabon 10. Gothic and the Victorian Home, Tamara Wagner 11. American Gothic and the environment, 1800-present, Matthew Wynn Sivils 12. Gothic Cities and Suburbs, 1880-present, Sara Wasson 13. Gothic in cyberspace, Bryan Alexander Part 3. Gothic Readers and Writers 14. Gothic and the publishing world, 1780-1820, Anthony Mandal 15. Gothic and the history of reading, 1764-1830, Katie Halsey 16. Gothic Adaptation, 1764-1830, Diane Long Hoeveler 17. Gothic romance, 1760-1830, Sue Chaplin 18. Gothic poetry, 1700-1900, David Punter 19. Gothic translation: France, 1760-1830, Angela Wright 20. Gothic translation: Germany, 1760-1830, Barry Murnane 21.Gothic and the child reader I: 1764-1850, M.O. Grenby 22. Gothic and the child reader II: 1850-present, Chloe Buckley 23. Gothic sensations, 1850-1880, Franz J. Potter 24. Young Adults and the contemporary Gothic, Hannah Priest 25. The earliest parodies of Gothic literature, Douglass H. Thomson 26. Figuring the author in modern Gothic writing, Neil McRobert 27. Gothic and question of theory, 1900-Present, Scott Brewster Part 4. Gothic Spectacle 28. Gothic and eighteenth-century visual art, Martin Myrone 29. Gothic visuality in the nineteenth century, Elizabeth McCarthy 30. Gothic theatre, 1765-present, Diego Saglia 31. Ghosts, monsters and spirits, 1840-1900, Alexandra Warwick 32. Gothic horror film from The Haunted Castle (1896) to Psycho (1960), James Morgart 33. Gothic horror film, 1960-present, Xavier Aldana Reyes 34. Southeast Asian Gothic cinema, Collete Balmain 35. Defining a Gothic aesthetic in modern and contemporary visual art, Gilda Williams 5. Contemporary Impulses 36. Sonic Gothic, Isabella van Elferen 37. Gothic lifestyle, Catherine Spooner 38. Gothic and survival horror videogames, Ewan Kirkland 39. Rewriting the canon in contemporary Gothic, Joanne Watkiss 40. Gothic tourism, Emma McEvoy 41. Gothic on the small screen, Brigid Cherry 42. Post-millenial mosters: monstrosity-no-more, Fred Botting Index
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