{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BB13986372.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BB13986372#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BB13986372.json"},"dc:title":[{"@value":"The orientation of future cinema : technology, aesthetics, spectacle"}],"dc:creator":"Bruce Isaacs","dc:publisher":[{"@value":"Bloomsbury"}],"dcterms:extent":"x, 301 p.","cinii:size":"24 cm","dc:language":"eng","dc:date":"2013","cinii:ncid":"BB13986372","cinii:ownerCount":"1","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA15183720#entity","@type":"foaf:Person","foaf:name":[{"@value":"Isaacs, Bruce"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA007965","@type":"foaf:Organization","foaf:name":"関西大学 図書館","rdfs:seeAlso":{"@id":"https://www.lib.kansai-u.ac.jp/webopac/ufirdi.do?ufi_target=ctlsrh&ncid=BB13986372"}}],"bibo:lccn":["2012033532"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2012033532"}],"prism:publicationDate":["2013"],"cinii:note":["Filmography: p. [279]-285","Bibliography: p. [265]-278","Includes index"],"dc:subject":["LCC:PN1995.9.T43","DC23:791.4301"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Motion+picture+industry+--+Technological+innovations","dc:title":"Motion picture industry -- Technological innovations"},{"@id":"https://ci.nii.ac.jp/books/search?q=Motion+pictures+--+Aesthetics","dc:title":"Motion pictures -- Aesthetics"},{"@id":"https://ci.nii.ac.jp/books/search?q=Digital+media+--+Influence","dc:title":"Digital media -- Influence"}],"dcterms:hasPart":[{"@id":"urn:isbn:9781441184221","dc:title":": hb"}]}]}