That which is not drawn : William Kentridge & Rosalind C. Morris : conversations
著者
書誌事項
That which is not drawn : William Kentridge & Rosalind C. Morris : conversations
Seagull Books, 2014
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [193]
内容説明・目次
内容説明
For more than three decades, artist William Kentridge has explored in his work the nature of subjectivity, the possibilities of revolution, the Enlightenment's legacy in Africa, and the nature of time itself. Though his pieces have allowed viewers to encounter the traditions of landscape and self-portraiture, the limits of representation, the possibilities for animated drawing, and the labor of art, a guide to understanding the full scope of his art has been unavailable until now. For five days, Kentridge sat with Rosalind C. Morris to talk about his work. The result - That Which Is Not Drawn - is a wide-ranging conversation and deep investigation into the artist's techniques and the psychic and philosophical underpinnings of his body of work. In these pages, Kentridge explains the key concerns of his art, including the virtues of bastardy, the ethics of provisionality, the nature of translation, and the activity of the viewer. And together, Kentridge and Morris trace the migration of images across his works and consider the possibilities for a revolutionary art that remains committed to its own transformation.
Here, in this engaging dialogue, we at last have a guide to the continually exciting, continually changing work of one of our greatest living artists.
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