Pottery, pavements, and paradise : iconographic and textual studies on late antiquity

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Bibliographic Information

Pottery, pavements, and paradise : iconographic and textual studies on late antiquity

by Annewies van den Hoek, John J. Herrmann, Jr

(Supplements to Vigiliae Christianae, v. 122)

Brill, 2013

  • : hardback

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Note

Includes bibliographical references (p. [435]-459) and index

Description and Table of Contents

Description

These essays on late antiquity traverse a territory in which Christian and pagan imagery and practices compete, coexist, and intermingle. The iconography of the most significant late antique ceramic, African Red Slip Ware, is an important and relatively unexploited vehicle for documenting the diversity and interpenetration of late antique cultures. Literary texts and art in other media, particularly mosaics, provide imagery that complement and enhance the messages of the ceramics. Popular entertainments, pagan cults, mythic heroes, beasts, monsters, and biblical visions are themes dealt with on the patrician and popular levels. With interpretive supplements from these diverse realms, it is possible to achieve greater insight into the life, attitudes, and thought of Late Antiquity.

Table of Contents

I. Paulinus of Nola, Courtyards, and Canthari: A Second Look II. Thecla the Beast Fighter: A Female Emblem of Deliverance in Early Christian Popular Art III. "Two Men in White:" Observations on an Early Christian Lamp from North Africa with the Ascension of Christ IV. Anicius Auchenius Bassus, African Red Slip Ware, and the Church V. The Sphinx: An Egyptian Theological Symbol in Clement of Alexandria VI. Clement of Alexandria, Acrobats, and the Elite VII. Celsus' Competing Heroes: Jonah, Daniel, and their Rivals VIII. Divine Twins or Saintly Twins: The Dioscuri in an Early Christian Context IX. The Saga of Peter and Paul: Emblems of Catholic Identity in Christian Literature and Art X. Apocalyptic Themes in the Monumental and Minor Art of Early Christianity XI. Odysseus Wanders into Late Antiquity XII. Execution as Entertainment: The Roman Context of Martyrdom

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