Serial Fu Manchu : the Chinese supervillain and the spread of Yellow Peril ideology
Author(s)
Bibliographic Information
Serial Fu Manchu : the Chinese supervillain and the spread of Yellow Peril ideology
(Asian American history and culture series)
Temple University Press, 2014
- : cloth
- : pbk
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
The evil mastermind-and master of disguise-Fu Manchu has long threatened to take over the world. In the past century, his dastardly plans have driven serialized novels, comic books, films, and TV. Yet this sinister Oriental character represents more than an invincible criminal in pop culture; Fu Manchu became the embodiment of the Yellow Peril. Serial Fu Manchu provides a savvy cultural, historical, and media-based analysis that shows how Fu Manchu's irrepressibility gives shape to-and reinforces-the persistent Yellow Peril myth. Ruth Mayer argues that seriality is not merely a commercial strategy but essential to the spread of European and American fears of Asian expansion. Tracing Fu Manchu through transnational serials in varied media from 1913 to the 1970s, Mayer shows how the icon evolved. She pays particular attention to the figure's literary foundations, the impact of media changes on his dissemination, and his legacy.
In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Vo
Table of Contents
Acknowledgments1 Going Serial: Fu Manchu, the Yellow Peril, and the Machinic Momentum of Ideology2 Enter Fu Manchu: The Transatlantic Periodical Press and the Circulation of Stories and Things3 Image Power: Seriality, Iconicity, and the Filmic Fu Manchus of the 1930s4 Machinic Fu Manchu: Popular Seriality and the Logic of Spread 5 Evil Chinamen: Yellow Peril Comics and the Ideological Work of Popular Seriality6 The End of the Assembly Line: Seriality, Ideology, and Popular CultureReferencesIndex
by "Nielsen BookData"