The way of the shovel : on the archaeological imaginary in art
著者
書誌事項
The way of the shovel : on the archaeological imaginary in art
Museum of Contemporary Art Chicago, in association with the University of Chicago Press, c2013
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"This book is published on the occasion of the exhibition 'The Way of The Shovel : Art as Archaeology', organized by the Museum of Contemporary Art Chicago, curated by Dieter Roelstraete in the Bergman Family Gallery at the Museum of Contemporary Art Chicago, November 9, 2013-March 9, 2014."--P. 327
Includes bibliographical references and index
内容説明・目次
内容説明
Contemporary art is often obsessed with the new, but it has recently begun to turn to projects centering on research and delving into archives, all in the name of seeking and questioning historical truth. From filmmakers to sculptors to conceptualists, artists of all stripes are digging into the rubble of the past. In this catalog that accompanies an exhibition at the Museum of Contemporary Art Chicago in the fall of 2013, Dieter Roelstraete gathers a diverse range of international artists to explore the theme of melding archival and experiential modes of storytelling - what he calls "the archaeological imaginary" - particularly in the wake of 9/11. The Way of the Shovel offers a well-constructed balance among excursions into the situation of contemporary art, broad philosophical arguments around the subjects of history and the archive, and cultural analysis.
Roelstraete's opening essay maps the critical terrain, while Ian Alden Russell explores the roots of archaeology and its manifestations in twentieth-century art, Bill Brown examines artistic practices that involve historical artifacts and archival material, Sophie Berrebi offers a critique of the "document" as seen in art after the 1960s, and Diedrich Diederichsen writes on the monumentalization of history in European art. The book features work by both established and young artists, and thoughtful entries by Roelstraete accompany the exhibition catalog, along with statements from artists Moyra Davey, Rebecca Keller, Joachim Koester, Hito Steyerl, and Zin Taylor. The first exhibition to showcase this innovative approach to some of the most intriguing art of the past decade, The Way of the Shovel is indispensable for anyone seeking to understand the forces driving contemporary art.
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