Phenomenologies of art and vision : a post-analytic turn
著者
書誌事項
Phenomenologies of art and vision : a post-analytic turn
Bloomsbury, 2013
- : hb
- : pb
大学図書館所蔵 件 / 全3件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. [185]-187) and index
内容説明・目次
- 巻冊次
-
: hb ISBN 9781441119735
内容説明
Contemporary
discussions of the image like to emphasize art's societal functions. Few
studies come close to answering why pictures and sculptures fascinate and
intrigue regardless of any practical functions they might serve. In this
original, thought-provoking study, Paul Crowther reveals the intrinsic
significance of pictures and sculptures.
To address the
question of how painting becomes an art, Crowther uses the analytic philosophy
of Richard Wollheim as a starting point. But to sufficiently answer the
question, he makes an important link to a tradition much more successful in
giving voice to the deeper ontology of visual art - existential phenomenology.
The result is a work that demonstrates the
reciprocal relationship between phenomenology and analytic aesthetics. To
expand its ontological scope and solve the problem of expression, analytic aesthetics
needs phenomenology; while to develop a sustained, critically balanced, and
intellectually available ontology, phenomenology needs the discursive force and
lucidity of analytic philosophy. This convincing case for a post-analytic
phenomenology of art is an important advancement of contemporary discussions of
the philosophy of art.
目次
Acknowledgments \
Introduction \
1. Painting as an Art: Wollheim and the Subjective Dimension \
2. Abstract Art and Transperceptual Space: Wolheim, and Beyond \
3. Truth in Art: Heidegger Against Contextualism \
4. Space, Place, and Sculpture: Heidegger's Pathways \
5. Vision in Being: Merleau-Ponty and the Depths of Painting \
6. Subjectivity, the Gaze,
and the Picture: Developing Lacan \
7. Dimensions in Time: Dufrenne's Phenomenology of Pictorial Art \
Conclusion: A Preface to Post-Analytic
Phenomenology \
Bibliography \
Index
- 巻冊次
-
: pb ISBN 9781472579652
内容説明
Contemporary discussions of the image like to emphasize art's societal functions. Few studies come close to answering why pictures and sculptures fascinate and intrigue regardless of any practical functions they might serve. In this original, thought-provoking study, Paul Crowther reveals the intrinsic significance of pictures and sculptures. To address the question of how painting becomes an art, Crowther uses the analytic philosophy of Richard Wollheim as a starting point. But to sufficiently answer the question, he makes an important link to a tradition much more successful in giving voice to the deeper ontology of visual art - existential phenomenology.
The result is a work that demonstrates the reciprocal relationship between phenomenology and analytic aesthetics. To expand its ontological scope and solve the problem of expression, analytic aesthetics needs phenomenology; while to develop a sustained, critically balanced, and intellectually available ontology, phenomenology needs the discursive force and lucidity of analytic philosophy. This convincing case for a post-analytic phenomenology of art is an important advancement of contemporary discussions of the philosophy of art.
目次
Acknowledgments \
Introduction \
1. Painting as an Art: Wollheim and the Subjective Dimension \
2. Abstract Art and Transperceptual Space: Wolheim, and Beyond \
3. Truth in Art: Heidegger Against Contextualism \
4. Space, Place, and Sculpture: Heidegger's Pathways \
5. Vision in Being: Merleau-Ponty and the Depths of Painting \
6. Subjectivity, the Gaze,
and the Picture: Developing Lacan \
7. Dimensions in Time: Dufrenne's Phenomenology of Pictorial Art \
Conclusion: A Preface to Post-Analytic
Phenomenology \
Bibliography \
Index
「Nielsen BookData」 より