Ottoman painting : reflections of Western art from the Ottoman Empire to the Turkish Republic
著者
書誌事項
Ottoman painting : reflections of Western art from the Ottoman Empire to the Turkish Republic
I.B. Tauris, 2011
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [192]-201
Includes index
内容説明・目次
内容説明
The late Ottoman Empire witnessed widespread and dramatic reform, which was vividly reflected in its visual culture. However, while other political and social developments in this period have received much attention, the interaction between Ottoman and Western artists and artistic practices is less widely understood. Ottoman Painting explores fully this complex and fascinating relationship for the first time, using vivid examples and drawing many intriguing and original connections. Wendy M. K. Shaw demonstrates how during the 19th century - the very era when rapidly proliferating modernist artistic movements in the West were giving up traditional styles, techniques and functions of art - artists in the Ottoman Empire and Turkey were harnessing these discarded traditions as a novel and modern means of communication. And far from being simply slow in embracing modernity, Ottoman art tells the story of a different kind of avant-garde, representing a cultural revolution. Ottoman Painting is an important corrective to a Western-dominated view of the art history of an era and a stimulating addition to our understanding of the cultural life of the late Ottoman Empire.
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