The education of the filmmaker in Europe, Australia, and Asia
著者
書誌事項
The education of the filmmaker in Europe, Australia, and Asia
(Global cinema / edited by Katarzyna Marciniak, Anikó Imre, and Áine O'Healy)
Palgrave Macmillan, 2013
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注記
Includes bibliographical references (p. [241]-254) and index
内容説明・目次
内容説明
Practice-based film education is a crucial element in the institutional landscape of film. This book fills the gap in understanding practice-based film scholarship, focusing on Europe, Asia, and Australia.
目次
- Introduction: More than Film School: Why the Full Spectrum of Practice-based Film Education Warrants Attention
- Mette Hjort PART I: EUROPE 1. Practice-based Film Education in Lithuania: Main Actors and Sites of Struggle
- Renata Sukaityte 2. Mapping Film Education and Training on the Island of Malta
- Charlie Cauchi 3. The Struggle for a Scottish National Film School
- Duncan Petrie 4. 'We Train Auteurs': Education, De-centralization, Regional Funding, and Niche Marketing in the New Swedish Cinema
- Anna Stenport 5. Divided Dirigisme: Nationalism, Regionalism, and Reform in the German Film Academies
- Barton Byg and Evan Torner 6. Sites of Initiation: Film Training Programs at Film Festivals
- Marijke de Valck PART II: AUSTRALIA AND ASIA 7. Beyond the Modular Film School: Australian Film and Television Schools and their Digital Transitions
- Ben Goldsmith and Tom O'Regan 8. Dynamics of the Cultures of Discontent: How is Globalization Transforming the Training of Filmmakers in Japan?
- Yoshiharu Tezuka 9. Learning with Images in the Digital Age
- Moinak Biswas 10. Film Schools in the PRC: Professionalization and Its Discontents
- Yomi Braester 11. Film Education in Hong Kong: New Challenges and Opportunities
- Stephen Chan
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