Conversations with Stanley Kunitz
著者
書誌事項
Conversations with Stanley Kunitz
(Literary conversations series / Peggy Whitman Prenshaw, general editor)
University Press of Mississippi, 2013
- : cloth
- : [pbk.]
大学図書館所蔵 全9件
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  京都
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  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
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  韓国
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  イギリス
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注記
Chronology: p. xx-xxiv
Includes index
内容説明・目次
- 巻冊次
-
: [pbk.] ISBN 9781496809612
内容説明
He again tops the crowd - he surpasses himself, the old iron brought to the white heat of simplicity."" That's what Robert Lowell said of the poetry of Stanley Kunitz (1905-2006) and his evolving artistry. The interviews and conversations contained in this volume derive from four decades of Kunitz's distinguished career. They touch on aesthetic motifs in his poetry, the roots of his work, his friendships in the sister arts of painting and sculpture, his interactions with Lowell and Theodore Roethke, and his comments on a host of poets: John Keats, Walt Whitman, Randall Jarrell, Wallace Stevens, and Anna Akhmatova.
Kunitz emerged from a mid-sized industrial town in central Massachusetts, surviving family tragedy and a sense of personal isolation and loneliness, to become an eloquent spokesman for poetry and for the power of the human imagination. Kunitz has commented, ""If we want to know what it felt like to be alive at any given moment in the long odyssey of the race, it is to poetry we must turn."" His own odyssey from ""metaphysical loneliness"" to a sense of community with fellow writers and artists - by building institutions like Poets House and the Fine Arts Work Center in Provincetown, Massachusetts - is ever present in these interviews.
- 巻冊次
-
: cloth ISBN 9781617038709
内容説明
He again tops the crowd--he surpasses himself, the old iron brought to the white heat of simplicity."" That's what Robert Lowell said of the poetry of Stanley Kunitz (1905-2006) and his evolving artistry. The interviews and conversations contained in this volume derive from four decades of Kunitz's distinguished career. They touch on aesthetic motifs in his poetry, the roots of his work, his friendships in the sister arts of painting and sculpture, his interactions with Lowell and Theodore Roethke, and his comments on a host of poets: John Keats, Walt Whitman, Randall Jarrell, Wallace Stevens, and Anna Akhmatova.
Kunitz emerged from a mid-sized industrial town in central Massachusetts, surviving family tragedy and a sense of personal isolation and loneliness, to become an eloquent spokesman for poetry and for the power of the human imagination. Kunitz has commented, ""If we want to know what it felt like to be alive at any given moment in the long odyssey of the race, it is to poetry we must turn."" His own odyssey from ""metaphysical loneliness"" to a sense of community with fellow writers and artists--by building institutions like Poets House and the Fine Arts Work Center in Provincetown, Massachusetts--is ever present in these interviews.
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