Latin American popular culture : politics, media, affect
著者
書誌事項
Latin American popular culture : politics, media, affect
(Colección Támesis, ser. A . Monografías ; 327)
Tamesis, 2013
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
A wide range of essays which provide new conceptualizations of popular culture while linking it to both its long history and some of its most exciting contemporary forms.
Popular culture has always represented a fulcrum within social, cultural and anthropological discourses in Latin America. Often imagined as representing a challenge to the dominant cultural paradigms of the "lettered city", it has repeatedly been mapped onto political, economic and even libidinal boundaries - between country and city, between folk and street, between the "masses" and elite national/political structures. Yet at the turn of the 21st century, concepts such as the "folk", the "popular", the "mass" and the "multitude" have exploded in the face of new cultural and informational technologies, putting cinematic, televisual and cybernetic manifestations of popular cultureat the forefront of social processes.
In order to address the fragile contemporaneity of popular culture in Latin America, the essays in this collection engage with a wide range of cultural phenomena, from forms of mass political experience in the Colonial and Independence periods, to the modern-day emergence of street art, blogs, comic books and television, as well as the recycling of refuse as art, the marketing of santeria to tourists, and the filming of poverty in the favela. In so doing, they explore the diverse regimes of affect that both sustain and destabilize national symbolic orders, and chart the novel mediations between the national and the global in a see-sawingclimate of conflicting economic and political ideologies.
Geoffrey Kantaris is a Senior Lecturer at the University of Cambridge.
Rory O'Bryen is a University Lecturer at the University of Cambridge.
Contributors: Francisco Ortega, Joanna Page, Stephen Hart, Erica Segre, Jesus Martin Barbero, Lucia Sa, Chandra Morrison, Claire Taylor, Andrea Noble, Ed King.
目次
Introduction: The Fragile Contemporaneity of the Popular - Geoffrey Kantaris
And Where Are the People? Genealogies of the Pueblo during the Late Eighteenth and Early Nineteenth Centuries - Francisco Ortega
Folk Tales and Fabulation in Lucrecia Martel's Films - Joanna Page
How Popular is Cuban Popular Culture? - Stephen M. Hart
'El convertible no convertible': Reconsidering Refuse and Disjecta Aesthetics in Contemporary Cuban Art - Erica Segre
Narratives of Identity and Media Genres - Jesus Martin Barbero
Filming Favelas: Space, Gender, and Everyday Life in Cidade de Deus and Antonia - Lucia Sa
Colouring Pollution: 'Cleaning' the City and 'Recycling' Social Values in Sao Paulo Street Art - Chandra Morrison
Blogging from the Margins: Grassroots Activism and Mass Media Forms in the Hiperbarrio Project - Claire Taylor
Affect, Politics and the Production of The People: Meditations on the Rio Magdalena - Rory O'Bryen
The Politics of Emotion in the Mexican Revolution: The Tears of Pancho Villa - Andrea Noble
Memory and Affective Technologies in the Argentine Comic Book Series Cybersix - Ed King
List of Contributors - Geoffrey Kantaris
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