Invisible now : Bob Dylan in the 1960s

著者

書誌事項

Invisible now : Bob Dylan in the 1960s

John Hughes

Ashgate, c2013

タイトル別名

Ashgate popular and folk music series

大学図書館所蔵 件 / 全2件

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注記

Other title from C.I.P. data and cover jacket

Includes bibliographical references ( p. [217]-225) and index

内容説明・目次

内容説明

Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.

目次

  • Contents: Preface
  • Part 1 Themes: 'Continual becoming'
  • Humour
  • Photographs
  • Voice
  • Leave taking
  • Aversiveness
  • Inspiration. Part 2 The 1960s: 'Mind like a trap': Bob Dylan, The Freewheelin' Bob Dylan, The Times They Are A-Changin'
  • 'Weird monkey': Another Side of Bob Dylan and Bringing It All Back Home
  • 'There is no eye': Highway 61 Revisited
  • 'Trapeze artist': Blonde on Blonde
  • 'Ghosts passing through on their way to Tangiers': The Basement Tapes
  • 'Not too far but just far enough so's we can say we've been there': John Wesley Harding and Nashville Skyline
  • Notes
  • Select bibliography
  • Index.

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