Redefining mainstream popular music
著者
書誌事項
Redefining mainstream popular music
Routledge, 2013
- : pbk
- : hbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Redefining Mainstream Popular Music is a collection of seventeen essays that critically examines the idea of the "mainstream" in and across a variety of popular music styles and contexts. Notions of what is popular vary across generations and cultures - what may have been considered alternative to one group may be perceived as mainstream to another. Incorporating a wide range of popular music texts, genres, scenes, practices and technologies from the United Kingdom, North America, Australia and New Zealand, the authors theoretically challenge and augment our understanding of how the mainstream is understood and functions in the overlapping worlds of popular music production, consumption and scholarship. Spanning the local and the global, the historic and contemporary, the iconic and the everyday, the book covers a broad range of genres, from punk to grunge to hip-hop, while also considering popular music through other mediums, including mash-ups and the music of everyday work life. Redefining Mainstream Popular Music provides readers with an innovative and nuanced perspective of what it means to be mainstream.
目次
Part 1: Re-Appraising the Mainstream 1. Making Sense of the Mainstream 2. Queer Dissonances, Lesbian Music Cultures and Multiple Mainstreams Part 2: Perceptions of the Mainstream 3. The Commercial Success of Grunge and the Contradictions of the Mainstream 4. Negotiating the Mainstream from Within: Young Girls' Understandings of Pop Music Part 3: Historicising the Mainstream 5. Elvis goes Hollywood: Authenticity, Resistance, Commodification and the Mainstream 6. 'It Ain't Necessarily So': Gender, the Popular Music Mainstream and England in the 1960s 7. Historicizing the Mainstream of the Late 1960s: Don Kirshner, The Monkees, and the Archies Part 4: Production, Aesthetics and the Mainstream 8. 'Sounds Like an Official Mix': The Mainstream Aesthetics of Amateur Remix Production 9. Jumping a Moving Gate: Local Conceptions of Overseas and Latent Technological Imperialism 10. The Clarity of Distance: Australian Independent Music in a Time of Digital Revolution Part 5: The Mainstream and Vernacular Culture 11. Off the Beaten Track: Vernacular and Mainstream in New Zealand Tramping Club Singing 12. The 'Mainstream', Portable Music Devices and 'Public' and 'Private' Social Life 13. Cheesy Listening: Popular Music and Ironic Listening Practices
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