Critical race theory and copyright in American dance : whiteness as status property
著者
書誌事項
Critical race theory and copyright in American dance : whiteness as status property
Palgrave Macmillan, 2013
大学図書館所蔵 全2件
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.
目次
1. Introduction 2. Comparing Aesthetics of Whiteness and Non-Whiteness in Relation to American Dance 3. Loie Fuller, "Goddess of Light," and Josephine Baker, 'Black Venus": Non-Narrative Choreography as Mere 'Spectacle' 4. George Balanchine, "Genius of American Dance": Whiteness, Choreography, Copyrightability in American Dance 5. Martha Graham, "Picasso of American Dance," and Katherine Dunham, 'Matriarch of Black Dance': Exoticism and Non-Whiteness in American Dance 6. Moving into New Directions: Cunningham and Ailey 7. Conclusions: Quo Vadis?
「Nielsen BookData」 より