The sensational centuries : essays on the enhancement of sense experience in the seventeenth, eighteenth, and nineteenth centuries
著者
書誌事項
The sensational centuries : essays on the enhancement of sense experience in the seventeenth, eighteenth, and nineteenth centuries
(AMS studies in the eighteenth century, no. 66)
AMS Press, c2013
大学図書館所蔵 全15件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
The long period of “enlightenment” that extended from the rise of organised science to the emergence of Gilbert and Sullivan operas lauded reason and commended reflection but depended on sensation. A remarkably broad range of intellectual and cultural activity, whether the critical philosophy of John Locke or the rapturous poetry of John Keats, genuflected to the tame abstraction “experience” but gave full credit to raw sense for the sustaining of art, writing, and thought.
Universally invoked as everything from evidence to inspiration, “sensation” became the watchword of modernisation. The Sensational Centuries offers a portfolio of essays on the twists, turns, and metamorphoses of the idea and theme of “sensation” during the seventeenth, eighteenth, and nineteenth centuries, paying special attention to the evolution of sensationalism as an artistic and philosophical movement and examining the many curious and revealing cultural productions resulting from this intense interest in the varieties of sense.
Three generous sections include essays examining the literary and artistic genres arising from the cult of sense; the exploration of venues in which extreme, unusual, or offbeat sensations could occur; and the actions that result from the pursuit of sensational experience and the cultivation of a sensationalist art. The volume thus shows how the conversation about sensationalism continued loudly and volubly across diverse traditions and without regard for confining literary, cultural, religious, and artistic traditions—thereby defining an era.
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