Prague, capital of the twentieth century : a surrealist history
著者
書誌事項
Prague, capital of the twentieth century : a surrealist history
Princeton University Press, c2013
- : hardcover
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [529]-559) and index
内容説明・目次
内容説明
Setting out to recover the roots of modernity in the boulevards, interiors, and arcades of the "city of light," Walter Benjamin dubbed Paris "the capital of the nineteenth century." In this eagerly anticipated sequel to his acclaimed Coasts of Bohemia: A Czech History, Derek Sayer argues that Prague could well be seen as the capital of the much darker twentieth century. Ranging across twentieth-century Prague's astonishingly vibrant and always surprising human landscape, this richly illustrated cultural history describes how the city has experienced (and suffered) more ways of being modern than perhaps any other metropolis. Located at the crossroads of struggles between democratic, communist, and fascist visions of the modern world, twentieth-century Prague witnessed revolutions and invasions, national liberation and ethnic cleansing, the Holocaust, show trials, and snuffed-out dreams of "socialism with a human face." Yet between the wars, when Prague was the capital of Europe's most easterly parliamentary democracy, it was also a hotbed of artistic and architectural modernism, and a center of surrealism second only to Paris.
Focusing on these years, Sayer explores Prague's spectacular modern buildings, monuments, paintings, books, films, operas, exhibitions, and much more. A place where the utopian fantasies of the century repeatedly unraveled, Prague was tailor-made for surrealist Andre Breton's "black humor," and Sayer discusses the way the city produced unrivaled connoisseurs of grim comedy, from Franz Kafka and Jaroslav Hasek to Milan Kundera and Vaclav Havel. A masterful and unforgettable account of a city where an idling flaneur could just as easily be a secret policeman, this book vividly shows why Prague can teach us so much about the twentieth century and what made us who we are.
目次
List of Illustrations xi Acknowledgments xv Translation and Pronunciation xix Introduction 1 *1 The Starry Castle Opens 13 *The Surrealist Situation of the Object 13 *A Choice of Abdications 22 2 Zone 33 * Le passant de Prague 33 *This Little Mother Has Claws 44 *The Time of Ardent Reason 52 *The Hangman and the Poet 63 *Tongues Come to Life 69 3 Metamorphoses 79 *The Origin of Robots 79 *A Beautiful Garden Next Door to History 90 *Suicide Lane 99 *Franz Kafka's Dream 114 *Do You Speak German? Are You a Jew? 122 *Fantasy Land. Entry 1 Crown 130 *The Precious Legacy 137 4 Modernism in the Plural 144*Alfons Mucha, Steel and Concrete 144 *The Ghosts of Futures Past 156 *From the Window of the Grand Cafe Orient 170 *Granny's Valley 183 *The Electric Century 197 *All the Beauties of the World 210 5 Body Politic 221 *The Silent Woman 221 *The Poetry of Future Memories 231 *Renaissance Ballet 242 *Beautiful Ideas That Kill 251 *Sexual Nocturne 261 *Cut with a Kitchen Knife 270 *A War Economy, Words of Command, and Gas 280 6 On the Edge of an Abyss 288*The Beautiful Gardener 288 *The Bride Stripped Bare 298 *Gulping for Air and Violence 304 *Orders of Things 312 * L'origine du monde 324 *Dreams of Venus 331 *A Girl with a Baton 344 7 Love's Boat Shattered against Everyday Life 356*A National Tragedy with Pretty Legs 356 *The Poet Assassinated 364 *A Wall as Thick as Eternity 374 *Didier Desroches 387 *Am I Not Right, Jan Hus? 399 *Messalina's Shoulder in the Gaslight 409 *That Familiar White Darkness 419 8 The Gold of Time 426 *The Necromancer's Junk Room 426 *The Prague-Paris Telephone 433 *The Dancing House 439 Notes 445 Bibliography 529 Index 561
「Nielsen BookData」 より