Forgiving the gift : the philosophy of generosity in Shakespeare and Marlowe
Author(s)
Bibliographic Information
Forgiving the gift : the philosophy of generosity in Shakespeare and Marlowe
（Medieval and Renaissance literary studies）
Duquesne University Press, c2012
- : cloth
Available at 2 libraries
Note
Includes bibliographical references (p. 221-237) and index
Description and Table of Contents
Description
This book challenges the tendency to reflexively understand gifts as exchanges, negotiations, and circulations. Lawrence reads plays by Christopher Marlowe and William Shakespeare as informed by an early modern belief in the possibility and even necessity of radical generosity, of gifts that break the cycle of economy and self-interest. The prologue reads Marlowe's Dr Faustus to show how the play aligns gift and grace, depicting Faustus' famous bond as the instrument simultaneously of reciprocal exchange and of damnation. In the introduction, the author frames his argument theoretically by placing Marcel Mauss' classic essay, "The Gift", into dialogue with Jacques Derrida, Emmanuel Levinas, and Paul Ricoeur to sketch two very different understandings of gift-giving. In the first, described by Mauss, the gift becomes a covert form of exchange. Though Mauss contrasts the gift economy with the market economy, his description of the gift economy nevertheless undermines his own project of discovering in it a basis for social solidarity. In the second understanding of gift exchange, derived from the philosophy of Levinas, the gift expresses the radical asymmetry of ethical concern.
Literature and philosophy scholars alike will benefit from the original readings of "The Merchant of Venice", "Edward II", "King Lear", "Titus Andronicus", and "The Tempest", which constitute the body of the text. These readings find in the plays a generosity that exceeds the social practice of gift-giving, because extraordinarily generous acts of friendship or filial affection survive the collapse of social norms. Antonio in Merchant and the title character in Edward II practice a friendship whose extravagance marks its excess. Lear, on the other hand, brings about his tragedy by attempting to reduce filial love to debt. Titus also discovers a love excessive to social convention when rape and mutilation annihilate his daughter's cultural value. Finally, Prospero in "The Tempest" sacrifices power and even his own life for the love of his daughter, giving a gift rendered asymmetrical by both its excess and its secrecy. While proposing new readings of works of Renaissance drama, "Forgiving the Gift" also questions the model of human life from which many contemporary readings, especially those characterised as new historicist or cultural materialist, grow.
In so doing, it addresses questions of how we are to understand literary texts, but also how we are to live with others in the world.
Table of Contents
- Introduction: Sylvan Pastoral in Early Modern England
- The Rise of Sylvan Pastoral: Literary Form Meets Forest History
- Shakespeare's Green Plot: The Stage as Forest & the Forest as Stage in As You Like it
- Green Plots & Green Plotters: A Midsummer Night's Dream & Sylvan Struggle
- A Border Skirmish: Community, Deer Poaching, & Spatial Transgression in The Merry Wives of Windsor
- Sylvan Pastoral & the Civil War: Representing National Trauma in Sylvan Terms
- Royalist Woods
- John Milton's Sylvan Pastorals & the Theatrical & Godly Individual
- Index.
by "Nielsen BookData"