To realize the universal : allegorical narrative in Thornton Wilder's plays and novels
著者
書誌事項
To realize the universal : allegorical narrative in Thornton Wilder's plays and novels
Peter Lang, c2012
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
By mapping the contour of Thornton Wilder’s major plays and novels, this book offers a fresh reading of his deceptively unfashionable art of allegorical narrative, and aims to reaffirm Malcolm Cowley’s perspicacious judgment: «(Wilder is) one of the toughest and most complicated minds in contemporary America.» After a review of the history and scholarship of allegory, the author chronologically traces Wilder’s extensive, complex and resilient engagement with allegory, a genre employed not only for literary manifestation but for philosophical inquiry. Moving expertly from Wilder’s early religious playlets through his Pulitzerwinning fictions and plays to his largely obscure late writings, this study reveals that allegory and Wilder studies are two mutually illuminating topics. What distinguishes Wilder from other modern allegorists is not only his self-reflexive shuttling between the novel and the drama, but his tenacious persistence on pressing for the sublime universality of our mundane experiences in a postsacral world. Overturning the common characterization of Wilder as a preachy voice of Puritan religiosity, this book argues for the centrality of ambiguity that produces nuanced meanings in Wilder’s allegorical narratives.
目次
Contents: Thornton Wilder’s allegorical plays and fictions – Allegory in 19th and 20th Century Western Literatures – Modern and postmodern allegory studies – Neoclassicism and allegory – Dramatic allegory and epic theatre – Kierkegaard, Sartre, existentialism and Wilder’s late works – Wilder’s self-debate on the novel and the drama.
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